5. A
shows you how a whole is divided into different parts. You might, for
example, want to show how a budget had been spent on different items in a
particular year.
A. pie chart
B. bar graph
C. line graph
D. flowchart
6. A
is a graphical representation of data, quantities or numbers using
bars or strips. It is used to compare and contrast numbers, frequencies or other
measures of distinct categories of data.
A. pie chart
B. bar graph
C. line graph D. flow chart
7. A
shows the sequence of movements or actions of people or things
involved in a complex system or activity.
A. pie chart
B. flowchart C. line graph
D. bar graph
8. A
is a collection of data showing the spatial arrangement or
distribution of something over an area.
A. table
B. graph
C. flowchart
provide a title, short explanation, or a description accompanying an
illustration or a photograph
A. Maps
B. Captioned graphics C. Tables D. Surface diagrams
can show trends and cycles and make the information
easier to visualize.
A. Graphs and charts
C. Surface diagrams and tables
B. Pictograms and maps D. Captioned graphics and diagrams
D. map
Answers: 2
5.C
6.A
7.D
8.B
SANA PO MAKATULONG
in the mahabharata her story is told by vaishampayana in response to a question by king janamejaya about his remote ancestors. the women who people our epics are shaktis: each one of them is endowed with power, sure of herself, sure of the choices she makes, sure in her speech, protective, passionate, loving, giving, hungry for life, filled with adventurousness, a fearless wanderer in life’s vast fields.
she inherits her soul from our vedic women: independent, assertive, strong winners, who took responsibility for themselves. authentic women who participated in all fields of life as men’s equals. they debated on the meaning of life with the best of philosophers. they explored the mysteries of existence just as the men of their times did. they composed poems, sacred and mundane, poems of the soul and of the flesh, singing of spiritual ecstasy and sexual longing, that survive to this day.
the changes kalidasa makes in shakuntala tells us much about the changes that took place in women’s status, her role in a man’s life and societal and familial expectations from her by the time we leave behind epic times and reach what modern historians call the golden period of indian history. vyasa’s shakuntala is strong. she is shakti, bold and fearless. in the case of kalidasa’s shakuntala, her strength lies in her weakness, in her helplessness. she is an abala: an infantilized woman whose strength is her capacity to invoke protectiveness in us.
Other questions about: English
Popular questions